Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution

el dang reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

spoiler-free vague review + CWs for this book

5 stars

A long, heavy, beautifully written and very biting book about the ways in which colonialism coopts people and institutions, and the simultaneous difficulty and necessity of resisting that. Deeply and cleverly tied in with real 19th Century history of Britain and its empire, while also being a fantasy story with a very specific magic system that I enjoyed in itself.

I highly recommend this book, but it should also come with some content warnings: * Colonialism * Lots of depictions of racism * Abusive parenting * Abusive academia * Violence * Not afraid to kill important characters

#SFFBookClub

Mysteriarch reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Ends with a bang!

4 stars

What initially starts off as an imperfect blend of Tart's The Secret History and a low fantasy setting akin to Clarke's Jonathan Strange & Mr. Norrell slowly shifts to its actual subject: colonialism. Seen through the lens, not of white saviours nor the faraway colonial subjects, but of it's unique product: people of both worlds, forcefully transplanted, with all the twisted allegiances that come with it. The last third act of the book explodes into a study about struggle and violence, the interwoven working of class and empire, in a way that is seldomly seen in (Western) fiction literature and for this fact alone this book deserves praise and commendation.

Otts reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Some Promise, But Disappointing (like me!)

2 stars

I really wanted to like this. And I did until just after Robin gets into Oxford. Maybe it’s because so much resonated with my own life and studies, I didn’t need to be lectured to as much as he did—I get it, girl. My frustration may just be disappointment in my younger self.

What is going on with editors these days? It did NOT need to be this long. The magical system rooted in translation was pretty cool. Dark Academia fails me again.

enne📚 reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Babel

5 stars

This is a historical novel about a small group of scholars (mostly of color) in Oxford in the 1830's, with an added fantastical element of magical silver powered by language and translations. Historically, it covers a modified industrial revolution, British colonialism, opium wars with China, and even gets into the Luddites, all impacted and warped by the British empire being powered by silver. What I especially appreciated is that the magic silver mostly just exacerbated issues and functioned as a metaphor for power in all of these historical situations; this is not a book about historical divergence due to magic but rather a book where the magic is used as a metaphor to reexamine things in a fresh light.

The idea of magic silver here powered by translations is just so well done. Scholars (and thus language) are extracted from colonies to power silver magic as a parallel to other …

This is a historical novel about a small group of scholars (mostly of color) in Oxford in the 1830's, with an added fantastical element of magical silver powered by language and translations. Historically, it covers a modified industrial revolution, British colonialism, opium wars with China, and even gets into the Luddites, all impacted and warped by the British empire being powered by silver. What I especially appreciated is that the magic silver mostly just exacerbated issues and functioned as a metaphor for power in all of these historical situations; this is not a book about historical divergence due to magic but rather a book where the magic is used as a metaphor to reexamine things in a fresh light.

The idea of magic silver here powered by translations is just so well done. Scholars (and thus language) are extracted from colonies to power silver magic as a parallel to other resource extraction. The scholars are ultimately not really wanted for who they are but for the utility of what they know. And, I also love the detail that the empire is eating its own tail by its continual expansion and globalization weakening the magic. It reminds me a little of Yoon Ha Lee's Phoenix Extravagant where the magic system itself was intricately tied to colonial resource extraction.

It's a slow-building book that doesn't pull its punches about colonialism, racism, white folks siding with the establishment, or (as the subtitle to the book directly informs you) the necessity of violence. I enjoyed it quite a bit.

loppear reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

a slog with lovely moments scattered through

3 stars

A primer on colonial exploitation around the opium wars, and the conflicts of allegiance for our young scholars of color at an imagined Oxford who feel the abstract distance from such concerns their academic pursuits entangle them in... that sounds pretty good, but the balance of storytelling just kept hitting sour notes for me, long sections of school shenanigans or minutia, or where the magical twist is so thinly veiled it hardly matters, where the characters actions are irrelevant to moving us forward.

snowka reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

A postcolonial, antiracist Harry Potter

4 stars

Kuang's story surprises. This coming-of-age (and coming-of-revolution) story introduces us to a world where the the 19th-century Industrial Revolution is made possible not by steam and worker oppression but by the magical powers of translation and colonial exploitation. The experiences of the protagonist, a Cantonese boy that adopts the English name Robin Swift, lead us to an imagined Oxford that is as intriguing as Hogwarts but that has sins that Kuang not only does not whitewash, but makes the centerpiece of her novel. The historical notes and especially the etymological explanations are fascinating, if occasionally pedantic. Once you get your head around this world and how it works, you'll want to hang on to the end to see how a postcolonial critique during the height of the British Empire can possibly turn out.

Sami Sundell reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Kääntäjät kolonialismia vastaan

3 stars

Nautin kovasti R. F. Kuangin Poppy War -trilogiasta, ja Babel on odottanut jo jonkin aikaa hyllyssä lukemista.

Ensi alkuun tuntui, että odotukset täyttyivät. Tapani mukaan en lukenut kirjasta edes takakantta, joten koko kirjan lähtökohta tuli yllätyksenä. Ajatus käännösten merkityseroista maailmaa pyörittävänä käyttövoimana oli toisaalta vitsikäs mutta toisaalta antoi vallan käyttökelpoisen tavan käsitellä kolonialistista yhteiskuntaa. Kuangin kerronta vei tarinaa eteenpäin kuin juna.

Jossain vaiheessa jännite kuitenkin katosi. Kirja oli alusta loppuun sujuvaa luettavaa, mutta viimeinen kolmannes on lähinnä loppukliimaksin odottamista, jossa tuntuu, että mitään merkittävää ei tapahdu. Tämä ei tietenkään pidä paikkaansa - kyllähän kirjassa tapahtuu, paljonkin, mutta tunteet, joita lukiessa voisi kuvitella heräävän, jäävät syttymättä.

Lopussa hiukan pedataan siihen suuntaan, että kirjalle voisi tulla myös jatkoa, mutta Kuang on ilmeisesti ilmoittanut, että toista kirjaa ei ole luvassa. Yllä kirjoittamastani huolimatta se ehkä hivenen harmittaa.

Sharyl reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Review of 'Babel' on 'Goodreads'

5 stars

This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.

I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.

Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by …

This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.

I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.

Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by this author.

Bravo!

never always reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Historical, anti-imperialist romp with an unsubtle tendency

4 stars

Content warning pretty general description of the premise with some non-specific discussion of the themes of the ending

Bref: It's not perfect, but I highly recommend it.

Takes place in Oxford in the 1830s. Very historical, except that the industrial revolution is the "silver industrial revolution", powered by the ability of linguistic scholars to do magic by writing a word and its translation on either side of a silver bar, with what is lost in the translation being manifested into the world.

I enjoy magic systems in fantasy that feel somewhat "hard" (defined, rulebound) and while the metaphor isn't subtle, I quite liked it. The industrial revolution is powered by the exploitation of the Third World and capital.

At times I found the unsubtlety of the politics in general a bit draggy, but for a very mainstreamy adventure romp it was pleasant for that dragginess to be like "the British empire and whiteness must be destroyed for humanity to live" and not like "love is the most powerful force in the universe". There's a bit of a tendency for identity to equal political alignment in a simplistic way, which is probably my biggest political issue with it, but again, that's so much better than most well-written, well-plotted fantasy adventures, that it's hard to be mad at it.

Non-specific discussion of the ending:

There's an element of the ending inflating the power of individuals -- very much contrary to the highly materialist and systemic critique of the book -- but, like the unsubtlety of some of the politics, this has countervailing things that undercut it and is excusable in the interest of making a good story. But in particular, I enjoyed the reading of the ending that is offered, that it's not actually as significant as the characters sometimes express. That dramatic political events are often powerfully motivated by grief, and there exists an irreconcilable tension between strategy and affect, each impotent without the other.

A combination of grief, historical sensibility, and political project is EXTREMELY my weakness.

I highly recommend it.

duck reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

Review of 'Babel' on 'Goodreads'

4 stars

It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.

However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.

This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for …

It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.

However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.

This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for all the other symbolism it brings to the table.

However, I think it’s easy to be misled as a reader, that you will be seeing imaginative “what if?”s that are the bread and butter of alternate history fantasy novels.

To sum up, I recommend giving this novel a try if you are at all interested in Victorian England, in translation/linguistics, or just enjoy a really good, tragic, character driven story.

Robert Fromont reviewed Babel: Or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution by R. F. Kuang

A magical alternative history of Oxford about the physical and cultural violence and slavery of empire and colonisation.

5 stars

Like #TedChiang's ‘Seventy Two Letters’, Babel is set in a fantastical alternative history of England during the Industrial Revolution. In Kuang's universe, the revolutionary tech is yínfúlù, silver talismans engraved with a word in one language and it's translation in another. When a bilingual utters the words, the subtle differences between their meanings are released by the silver, working magic on the physical world. “The power of the bar lies in words. More specifically, the stuff of language the words are incapable of expressing - the stuff that gets lost when we move between one language and another. The silver catches what's lost and manifests it into being.” Like in #UrsulaLeGuin's Earthsea, words have magical power, but also like Earthsea, the magic is taught to adepts in cloistered academies, in Kuang's case the Royal Institute of Translation. Translators are not only key to great leaps in productivity for British Industry, …

Like #TedChiang's ‘Seventy Two Letters’, Babel is set in a fantastical alternative history of England during the Industrial Revolution. In Kuang's universe, the revolutionary tech is yínfúlù, silver talismans engraved with a word in one language and it's translation in another. When a bilingual utters the words, the subtle differences between their meanings are released by the silver, working magic on the physical world. “The power of the bar lies in words. More specifically, the stuff of language the words are incapable of expressing - the stuff that gets lost when we move between one language and another. The silver catches what's lost and manifests it into being.” Like in #UrsulaLeGuin's Earthsea, words have magical power, but also like Earthsea, the magic is taught to adepts in cloistered academies, in Kuang's case the Royal Institute of Translation. Translators are not only key to great leaps in productivity for British Industry, but also at the nexus of Britain's project for empire and colonisation. The empire's next target is China, and the novel opens with a boy, the only survivor of Asiatic Cholera in his Canton household, is rescued and cured with silver-work by a mysterious Englishman, Professor Lovell. The professor spirits the boy off to London, forcing him to choose an English name (Robin) and abandon his native Cantonese in favour of the more ‘useful’ Mandarin tongue. Like #PhilipPullman's The Golden Compass, the hero is a youth of ambiguous parentage, growing up in an Oxford college, mentored by a distant, dismissive father figure. He's brought up studying Latin and Greek, and afforded a ‘opportunity’ to enter the Royal Institute of Translation, with a small cohort of foreign-born multilinguals. Like the Le Guin's academy, the he finally finds recognition and love amongst his peers, and a long lost sense of belonging, a salve for his lifelong alienation. Robin loves student life, but glossing over the underlying racism of Britain in general and Oxford in particular, and ignoring the growing realisation that silver-work is a tool for oppression in the colonies and a weapon of imperial expansion, become increasingly unsustainable. He realises the ‘opportunity’ is slavery wrapped in a false promise. The novel's civilised beginnings are misleading. The tension, violence, and stakes rise inexorably amongst revelations about his origins, shadowy resistance groups, betrayal, excruciating torture, and sudden death. Ostensibly about English colonial hegemony in centuries past, the novel has a lot to say about Silicon Valley's global imperial projects of similar magnitude, digital and linguistic sovereignty violated by today's magic: machine learning in general, and natural language processing in particular. Kuang's 'Babel' is action packed, and also bristling with etymological curiosities and translation theory. I loved it not only because of its germane themes and because I'm a nerd linguist, but also because it was a great, heartrending adventure, with a great deal of resonance not only presumably for colonised people and immigrants everywhere, but anyone who's spent time bathed in alienation or crises of identity.