From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828- Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is …
From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828- Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…
Can powerful institutions be changed from within, or does revolution always require violence?
A long, heavy, beautifully written and very biting book about the ways in which colonialism coopts people and institutions, and the simultaneous difficulty and necessity of resisting that. Deeply and cleverly tied in with real 19th Century history of Britain and its empire, while also being a fantasy story with a very specific magic system that I enjoyed in itself.
I highly recommend this book, but it should also come with some content warnings:
* Colonialism
* Lots of depictions of racism
* Abusive parenting
* Abusive academia
* Violence
* Not afraid to kill important characters
What initially starts off as an imperfect blend of Tart's The Secret History and a low fantasy setting akin to Clarke's Jonathan Strange & Mr. Norrell slowly shifts to its actual subject: colonialism. Seen through the lens, not of white saviours nor the faraway colonial subjects, but of it's unique product: people of both worlds, forcefully transplanted, with all the twisted allegiances that come with it. The last third act of the book explodes into a study about struggle and violence, the interwoven working of class and empire, in a way that is seldomly seen in (Western) fiction literature and for this fact alone this book deserves praise and commendation.
I really wanted to like this. And I did until just after Robin gets into Oxford. Maybe it’s because so much resonated with my own life and studies, I didn’t need to be lectured to as much as he did—I get it, girl. My frustration may just be disappointment in my younger self.
What is going on with editors these days? It did NOT need to be this long. The magical system rooted in translation was pretty cool. Dark Academia fails me again.
This is a historical novel about a small group of scholars (mostly of color) in Oxford in the 1830's, with an added fantastical element of magical silver powered by language and translations. Historically, it covers a modified industrial revolution, British colonialism, opium wars with China, and even gets into the Luddites, all impacted and warped by the British empire being powered by silver. What I especially appreciated is that the magic silver mostly just exacerbated issues and functioned as a metaphor for power in all of these historical situations; this is not a book about historical divergence due to magic but rather a book where the magic is used as a metaphor to reexamine things in a fresh light.
The idea of magic silver here powered by translations is just so well done. Scholars (and thus language) are extracted from colonies to power silver magic as a parallel to other …
This is a historical novel about a small group of scholars (mostly of color) in Oxford in the 1830's, with an added fantastical element of magical silver powered by language and translations. Historically, it covers a modified industrial revolution, British colonialism, opium wars with China, and even gets into the Luddites, all impacted and warped by the British empire being powered by silver. What I especially appreciated is that the magic silver mostly just exacerbated issues and functioned as a metaphor for power in all of these historical situations; this is not a book about historical divergence due to magic but rather a book where the magic is used as a metaphor to reexamine things in a fresh light.
The idea of magic silver here powered by translations is just so well done. Scholars (and thus language) are extracted from colonies to power silver magic as a parallel to other resource extraction. The scholars are ultimately not really wanted for who they are but for the utility of what they know. And, I also love the detail that the empire is eating its own tail by its continual expansion and globalization weakening the magic. It reminds me a little of Yoon Ha Lee's Phoenix Extravagant where the magic system itself was intricately tied to colonial resource extraction.
It's a slow-building book that doesn't pull its punches about colonialism, racism, white folks siding with the establishment, or (as the subtitle to the book directly informs you) the necessity of violence. I enjoyed it quite a bit.
A primer on colonial exploitation around the opium wars, and the conflicts of allegiance for our young scholars of color at an imagined Oxford who feel the abstract distance from such concerns their academic pursuits entangle them in... that sounds pretty good, but the balance of storytelling just kept hitting sour notes for me, long sections of school shenanigans or minutia, or where the magical twist is so thinly veiled it hardly matters, where the characters actions are irrelevant to moving us forward.
Kuang's story surprises. This coming-of-age (and coming-of-revolution) story introduces us to a world where the the 19th-century Industrial Revolution is made possible not by steam and worker oppression but by the magical powers of translation and colonial exploitation. The experiences of the protagonist, a Cantonese boy that adopts the English name Robin Swift, lead us to an imagined Oxford that is as intriguing as Hogwarts but that has sins that Kuang not only does not whitewash, but makes the centerpiece of her novel. The historical notes and especially the etymological explanations are fascinating, if occasionally pedantic. Once you get your head around this world and how it works, you'll want to hang on to the end to see how a postcolonial critique during the height of the British Empire can possibly turn out.
Nautin kovasti R. F. Kuangin Poppy War -trilogiasta, ja Babel on odottanut jo jonkin aikaa hyllyssä lukemista.
Ensi alkuun tuntui, että odotukset täyttyivät. Tapani mukaan en lukenut kirjasta edes takakantta, joten koko kirjan lähtökohta tuli yllätyksenä. Ajatus käännösten merkityseroista maailmaa pyörittävänä käyttövoimana oli toisaalta vitsikäs mutta toisaalta antoi vallan käyttökelpoisen tavan käsitellä kolonialistista yhteiskuntaa. Kuangin kerronta vei tarinaa eteenpäin kuin juna.
Jossain vaiheessa jännite kuitenkin katosi. Kirja oli alusta loppuun sujuvaa luettavaa, mutta viimeinen kolmannes on lähinnä loppukliimaksin odottamista, jossa tuntuu, että mitään merkittävää ei tapahdu. Tämä ei tietenkään pidä paikkaansa - kyllähän kirjassa tapahtuu, paljonkin, mutta tunteet, joita lukiessa voisi kuvitella heräävän, jäävät syttymättä.
Lopussa hiukan pedataan siihen suuntaan, että kirjalle voisi tulla myös jatkoa, mutta Kuang on ilmeisesti ilmoittanut, että toista kirjaa ei ole luvassa. Yllä kirjoittamastani huolimatta se ehkä hivenen harmittaa.
This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.
I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.
Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by …
This memorable novel is both ingeniously creative and importantly timely in its message. R.F. Kuang weaves together a story that injects magical realism into a novel that is both historical and revisionist. That is, this is a story that asks us to imagine the road not taken at a certain time in history, and the ethics of the decisions of those in power–and question how and why such power came to be, in the first place.
I felt that the characters were well-developed and realistically complex, making it possible for the reader to feel the emotion in their stories. The plot was also well crafted and paced.
Instead of summarizing the plot, I want to simply recommend this novel, which I knew nothing about before I started reading. Part of the magic, for me, was simply reading on to discover the shape of the world as it is created by this author.
It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.
However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.
This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for …
It was good, really good. The characters were interesting and three dimensional and enjoyable, the setting and plot was engaging and high stakes, and the translation lectures were tailor made for language nerds like me.
However, don’t do like I did and go into this expecting a fantasy novel. This is, mostly, historical fiction with a magic system reskinning technological progress in Victorian England.
This is not a knock on it, though, saying that it’s superfluous; it has a very interesting, if specific effect on the reader’s relationship with the world. It moves all of the varied goods and services that imperial Britain used to maintain power over their colonies into one spot and one profession: Oxford translators. As I see it, the silver magic system mostly exists to move the political center of Britain into this area. And I enjoyed it if only for this facet, if not for all the other symbolism it brings to the table.
However, I think it’s easy to be misled as a reader, that you will be seeing imaginative “what if?”s that are the bread and butter of alternate history fantasy novels.
To sum up, I recommend giving this novel a try if you are at all interested in Victorian England, in translation/linguistics, or just enjoy a really good, tragic, character driven story.
